Archive for the ‘Chabi Biswas’ Category

SASHI BABUR SANSAR was based on a story by Ashapurna Devi. The film showcases the inability of the older generation through the character of a recently retired patriarch (Chabi Biswas) to come to terms with the changes represented by the needs and aspiration of GenNext.

The film boasts of an impressive cast that also includes Pahari Sanyal, Chandraboti, Sabitri Chatterjee, Arundhuti Mukherjee, Basant Choudhury, Anup Kumar, Jiben Bose and others. Chabi Biswas utters one of the most significant dialogues in the film when he says to his daughter-in-law Arundhuti Mukherjee “Tomra aageye jao, amader mariye jayo na …”

One interesting sub-text in the film has a similar ring to Satyajit Ray’s MAHANAGAR in that in both the films the daughter-in-law goes out to work to earn a few extra bucks for the family against the wishes of the orthodox father-in-law. I don’t know whether this was incorporated in the two novels on which these two films have been based on the writings of Ashapurna Devi and Narendranath Mitra.

The strong cast acts brilliantly and makes it a watchable fare. The film was directed by Sudhir Mukherjee, who also directed the remarkable film BASHER KELLA featuring Anup Kumar.

Rating: 3.8 out of 5

 

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Not too many films of yesteryears have survived the ravages of time. Thus, it was heartening to see that the print quality of this 54 year old Bengali film , an award winner @ Berlin Film Festival in 1962 in a good condition.
Watching the film one felt how the natural school of acting thrived in those days in the films of filmmakers like Tapan Sinha. It is a delight to watch actors like Chabi Biswas, Radhamohan Bhattacharyya, Manju Dey, Jahar Roy and others bring their respective roles alive with such finesse.

kabuliwala
Around late 50s-early 60s Bengali filmmakers like Mrinal Sen and Tapan Sinha made a foreigner in Kolkata as the protagonist of their films. Kali Bannerjee played a Chinese hawker in Sen’s NEEL AKASER NEECHEY & Sinha’s KABULIWALLAH showcased Chabi Biswas as an Afghani Pathan. Both the films play around with suspicions arising in the minds of people when a bonding develops between the foreigner with a local (the wife in NEEL AKASER NEECHEY & the little girl in KABULIWALLAH). Did the two writers, Mahadevi Verma (Neel Akaser Neechey) & Tagore (Kabuliwallah) ever found any similarities in their works? In both the films the ending finds the protagonist returning to his home country.
The child actor is superlative. Jeben Bose & Nripati Chaterjee act in supporting roles. The director uses a couple of Rabindrasangeet in the film. KHORO BAYU BOY BEGE is one of them. The music of the film was scored by sitar maestro Pandit Ravi Shankar.

Writing in the  South Asia Security Trends (Wed, Jul 09 2008)  Rahul K. Bhonsle  (Editor, Livemint) says

For most of us engrossed in our daily drudgery of potholes to work and late night outs on weekends, Afghanistan may be another land where a war-like situation prevails. But not long ago, the Pathan was a household name immortalized by Rabindranath Tagore’s Kabuliwala, which can move even the hard-hearted to tears to this day. It also picturizes the harsh land that Afghanistan was then, and it is apparent that nothing much has changed.

Rating: 3.8 out of 5