Archive for the ‘Bengali films’ Category

 

I recently saw Hindi Medium (2017), a much feted Bollywood film featuring one of my all-time fave actor, Irrfan Khan. I wanted to watch this one particularly after allegations surfaced that the film has borrowed from the Bengali sleeper hit RAMDHANU (2014), a film that I have quite enjoyed – something that the makers of HINDI MEDIUM has vehemently denied.

HINDI MEDIUM started off on a promising note. I was enjoying the lead couple’s brilliant put-ons & Punjabi flashiness (they enact a  Chandni Chowk trader from Punjab). But after a while, HM loses steam. The affluent business couple suddenly hits upon an idea to present themselves as one from the poorer strata of society in order to secure admission for their daughter in a private school. I felt this portion was rather far-fetched and the weak link of the film. Hereafter, HM became preachy and illogical and meandered towards a predictable end.

The basic theme of Hindi Medium matches with the Bengali film – the hardships parent endure to secure school admission for their child. The protagonists in both the films are deficient and try to hone their English speaking ability providing some funny moments. The central similarity is too glaring to be dismissed. Apart from the basic theme, HM differs vastly from RAMDHANU and the sub-plots doesn’t bear any kind of sameness.

I don’t know why the makers of HINDI MEDIUM are refusing to acknowledge their inspiration. Even in the past we have had several instances of successful Bengali films remade in Hindi which proved to be hits in Bollywood. Films like MERE APNE (Apanjan), CHUPKE CHUPKE (Chhodobesi), MANZIL (Akash Kusum), BEMISAL (Ami se o sakha), KORA KAGAZ (Saat Pake Badha), BAWARCHI (Golpo Holeo Satti) and many others which were successful in the original language and later remade successfully in Hindi. I think the earlier directors of such remakes have acknowledged the original work.

 

 

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Of late, Bengal seems to be making films that capture a motley group of characters trying to deal with emerging social issues in an urban setting. Films like RUPKATHA NOY & MAACH, MISTI & MORE and this one bear more than a striking similarity with one another. These films are crisp, well acted and photographed and keeps afloat the promise that all is not lost for meaningful cinema in the age of ‘100 crore club’ films.

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I particularly liked the ending sequence of FAMILY ALBUM. The film ended on quite an unexpected note. The cast includes Paoli Dam, Swastika Mukherjee, Reema Sen, Kaushik Sen, Santu Mukherjee and others. The film is directed by Mainak Bhaumik.

 

Asi Te Asio Na

A neglected octogenarian (Bhanu Bandopadhyay) stumbles upon a miraculous discovery…Fed up with the ill-treatment meted out to him and his wife (Ruma Guha Thakurta) by his children, he longs for an escape from his dreary existence. Accidentally, he even finds a solution to all of his woes. He discovers a pond where on taking a dip one regains his youth. When he transforms into a handsome young man, many were forced to accept the miracle as real. Quite predictably, all hell breaks loose …

From a chemist keen to investigate the composition of the water in the pond, senior officers in the Govt. keen to cash on its benefits, the change in the behavior of the children and their wives towards the man, sundry characters trying to make the most of the situation – everything adds up to make this an absolutely laugh riot.

Bhanu Bandopadhyay and Robi Ghosh deliver sterling performances. The supporting cast which includes Ruma Guha Thakurta, Kamal Mitra, Renuka, Asit Baran, Tarun Kumar, Shyam Laha and others perform creditably.

Does Bhanu forever remain young? Could such a miracle really have taken place? Watch the film to know the answers …one of the most hilarious Bengali films ever IMHO.

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There is a distinguishing feature in Tarun Mazumdar  films. Most  of his films revolve around village life. However, his films eschew the harshness depicted in the films of Mrinal Sen, Satyajit Ray, Gautam Ghose and Ritwik Ghatak when they make films that has the village as the setting.

The TM film SHAHER THEKE DUREY bears resemblance to his film PHULESHWARI. In PHULESHWARI a young man (Samit Bhanja) joins the Railway and gets a posting in the village. SHAHER THEKE DURE has a young doctor (Samit Bhanja) who comes to work in a village. In both the films, the young man falls in love with a village belle (Sandhya Roy in both films). There are many supporting characters in these films, high voltage drama interspersed with melodious songs. Actors like Bhanu Bandopadhyay, Anup Kumar & Robi Ghosh lend able support to make the film entertaining.

Rating: 3.6 out of 5

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UTTARON (Broken Journey) is a film based on a story and screenplay by Satyajit Ray, and directed by his son Sandip Ray. The film follows a Calcutta based doctor (Soumitro Chattopadhyay) who is successful treating the well-heeled of society. His teenage daughter is shown leading a reckless life giving rise to suspicion of being a drug addict.

The doc embarks on a journey to Jamshedpur to deliver a talk on ADVANCES OF MEDICAL SCIENCES IN LAST TWO DECADES in a Conference. En route his car breaks down in a remote area & he sees a man lying unconsciously in the field. The doc tries to lend a helping hand. What follows is a discovery of reality about lack of health-care facilities (dependence on witch doctor) and abysmal condition (lack of electricity) in the village. This leads to an awakening in the doctor & the realization of the futility & elitism of conferences when basic health care facilities elude the majority of the population.

The supporting cast includes Subalakshmi Munshi, Sadhu Meher, Subhendu Chatterjee, Lily Chakraborty and others.

Rating: 4.4 out of 5