Archive for the ‘Parambrata Chattopadhyay’ Category

DOSAR (The Companion) directed by Rituparno Ghosh was based on a story by Shirshendu Mukhopadhyay. The film was shot in b & w, and the frames are hauntingly beautiful. Like his ABOHOMAN this film too dwells on the premise of illegitimate relationships – this time around of an executive (Prasenjit) who has a dalliance with his secretary Mita (Chandreye Ghosh) during weekend in some hill station. In one of their return trip, they meet with an accident in which Mita dies. The film traces the trauma and inner turmoil of the wife (Konkana Sen Sharma) to come to terms with the fact of a philandering husband who is hospitalised and need to be nursed back to good health.

The film is marred by too many illegitimate relationships making us wonder whether fidelity has become passe nowadays. Others in the cast include Parambrata Chattopadhyay, Pallavi Chaterjee and Sankar Chakraborty.

Rating: 3.5 out of 5

 

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THANA THEKE AASCHI was directed by Hiren Nag. The film featured Uttam Kumar, Madhabi Mukherjee, Kamal Mitra, Chaya Devi, Anjana Bhowmick, Dilip Mukherjee and others.

The film employed an innovate technique of extracting confession from several characters of a family who move around in society as respectable citizens but have skeletons in their closet. In fact, the patriarch was shown contesting the elections…

The confessions tumble out when a sub-inspector Tinkori Halder (Uttam Kumar) visits the house of Kamal Mitra to interrogate suspects over a suicide committed by a lady (Madhabi Mukherjee) who was known to the family…

At its core, the film is similar to Ritwik Ghatak’s MEGHE DHAKA TARA. In both these films the female protagonist is central to the narrative and is depicted to having been exploited in their lives at a scale that is beyond the level of endurance.

The film has prompted a remake with the same name a few years back. In that film made competently Sabyasachi Chakraborty played the role of Uttam Kumar. Others in the cast in the remake included Parambrata Chattopadhyay, Paoli Dam and others.

Rating: 3 out of 5

 

 

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Kadambari was the wife of the elder brother of Rabindranath Tagore. She played a prominent role in the life of the poet – looked after his needs during his growing up years, providing him companionship and above all giving him encouragement in his writing pursuit. Speculation has been rife about the exact nature of the relationship between the two, but as most biographers of Tagore opines that there hardly existed any concrete evidence of their relationship being romantic in its nature. Parambrata Chattopadhyay as Robi and Konkana Sen Sharma in the titular role act credibly.The supporting cast of Srikanta Acharya, Kunal Sen and others does well too.

The film is based on the story PROTHOM ALO by Sunil Gangopadhyay. The director Suman Ghosh (Nobel Chor, Poddokep) does hint of intimacy in the Kadambari- Robi relationship but virtually clears Robi in her suicidal act putting the blame largely on her philandering husband Jyotindronath (Kunal Sen). The film is quite watchable with many wonderful Rabindrasangeet (Tomare koriya chi jiboner o dhruba tara...) and is extremely well-shot.

Writing in the Statesman, the noted film critic Swapan Mullick writes thus about the film: Suman Ghosh’s Kadambari revives the tragic story of Tagore’s sister-in-law with whom the young poet shared a tender relationship that ended in her suicide at the age of 25. The basic facts are known — that she had married Jyotirindranath who had not given her much attention and that she became a source of creative inspiration for the young Rabindranath in his songs and poems till she took her life four months after he married.

The director gives the story a treatment of his own and it must have been an enormous challenge for Konkona Sen Sharma and Parambrata Chatterjee to revive an atmosphere that is wrapped in controversy. The film mixes fact and fiction in the manner the director had done for Nobel Chor without doing harm to the basic content. There, too, a real-life situation with a Tagore connection needed to be fleshed out with a sense of artistic restraint and logic.

Read more at http://www.thestatesman.com/news/supplements/challenging-times-with-tagore/63551.html#tz5uW3OBAG5X12vJ.99

The film has been mired in controversy since it was announced. Initially the actor Locket Chaterjee was approached to play the titular role, and the film was decided to have a novella on Kadambari by Ranjan Bandopadhyay as the main inspiration. However, when the film was finally made, the credit says the work has been based on a story by Sunil Gangopadhyay.

The film created a buzz during the 46th edition of IFFI at Panaji this year.

Rating: 3.5 out of 5

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Incredulous and quirky, yet a rather entertaining movie – this is debutant director Anik Dutta at his hilarious best. A satirical tale woven around spooks, who are gradually finding themselves without proper shelter in the increasingly concrete jungle that Kolkata has become in modern times owing to the onslaught of unscrupulous builders. A budding filmmaker (Parambrata Chatterjee) comes to shoot an eerie film in a huge feudal mansion, and be-friends one of the residents (Sabyasachi Chakraborty) who narrates a film script he had written weaving the history of the mansion and its inmates.

In terms of influences, Bhooter Bhobisat bears several influences. The use of limmericks (rhyming as in Ray’s HIRAK RAJAR DESHE), references to use of handheld camera (Mrinal Sen’s CALCUTTA 71), the unadulterated comedy as seen in the films of Bhanu, Johar, Robi Ghosh & Chinmoy Roy films. The film camouflages several topical issues: the consequences of urbanization, and even pokes fun at our Anglicization – our obsession with things from the west thorugh the character of George Baker, the young musician.

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The film was shot in the Sreerampur Rajbari. Besides the mentioned actors, the cast also includes Paran Bandopadhyay, George Baker, Swastika Mukherjee, Meer and others.

Rating: 4 out of 5