JOYBABA FELUNATH (1979)

Posted: May 2, 2017 in Bangla 1970-80, Satyajit Ray, Soumitro Chattopadhyay, Two Hundred Bengali Cinema, Utpal Dutta

On Ray’s b’day, a brief note on JOYBABA FELUNATH ……

Image result for joy baba felunath

I read some Feluda stories in my childhood. Since then I haven’t ventured towards the book of the ace sleuth written by Ray that have endeared him to millions across the globe. I have seen several films of the detective though, two directed by Satyajit Ray himself, and quite a few directed by his son Sandip Ray.

Among the multiplicity of themes that Ray explored in his films and in his writings, one often finds a thematic recurrence interspersed among his works. The core theme in JOYBABA FELUNATH – about a thriving business involving smuggling of heritage art objects from India to the West was also seen in his book KAILASHE KELENKARI, which has been made into a film by Sandip Ray. The penchant of Ray to showcase rare skills such as jugglery (Phatikchand) is again seen in this film in the spine-chilling act of a skilled marksman aiming at humans – it was filmed on ‘Jatayu.’

JOYBABA ..  is an engaging, suspenseful film from the master filmmaker. The film has the Hindu holy city of Benaras as the backdrop. Apart from a fine performance by Soumitro Chatterjee in the role of Feluda, the film was elevated several notches by the terrific performance of Utpal Dutta as Maganlal Meghraj – rarely has Utpal Dutta looked so menacing as a villain, his act in Bollywood films playing the evil man was mostly comical. The pivotal child character in the film, endearing called Captain Spark, brought out the child that used to reside in Ray who was enchanted by magic, mysterious occurrences & other aspects of the supernatural, besides his love of adventure.

Rating; 4 out of 5

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